MUSIC
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Arts and Africa: BBC African Service, no. 111 | ||
Hubert Ogunde: a musical celebrity | ||
South African punk rock, new wave and alternative music, 1977 - 1989 |
This study documents the history and lyrics of a counter culture of South African |
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Introduction to the history of music amongst Indian South Africans in Natal 1860- 1948 : towards a politico-cultural understanding |
The study concerns itself expression of music and the meanings associated with it. Music forms, music personalities, and music functions are traced. Some explanations of the relationships between class structures, religious expression, political affiliation, and music are suggested. |
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Musical Instruments and entertainment at Hindi Weddings |
WHEN the first Indian indentured labourers |
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Africa in rhythm and literature |
Looking at music, television and culture. |
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The New African: Volume 8, Number 2, 1969 | ||
Jazz epistle-7. Cecil Taylor: motion and the fundamental soul |
Letters to the editor. |
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Jazz epistle - 6 |
Incident on a Highveld Farm. |
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Jazz epistle-5 |
An article about the cancellation of music concerts due to South African Government race policies. |
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Dollar Brand |
An article about the jazz pianist, Dollar Brand. |
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The New African: Volume 4, Number 2, April 1965 | ||
Jazz epistle-4 |
Jazz South Africa makes the big time jazz scene. |
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Jazz epistle |
Jazz music and musicians. |
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The Duke's men |
Studies by a South African artist of the Duke Ellington concert tour of Britain. |
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Jazz epistle-2 |
The "freedom" jazz movement. |
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Jazz epistle |
Looking at the lack of development of jazz music in South Africa. |
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"Not enough night" |
Negritude's evasive ethos. |
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The meaning of the "Freedom now suite" |
One of America's jazz musicians who had long been strongly involved emotionally in the movements for integration in America and national autonomy in Africa was Max Roach. |
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"We of Africa" |
Unlike Easterners who are given to meditation or Westerners who have an inquisitive turn of mind we of Africa, belonging neither to the East or to the West, are fundamentally observers, penetrating observers, relying more on intuition than on the process of reasoning. |