CULTURE

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The Ramakrishna Centre

The Ramakrishna Centre

The Price of Segregation
The Position of Indians in South Africa

I speak as an Indian who was born in South Africa. and has lived all his life in a city. Some 95 per cent. of the Indians in the union arc South African-born, and about 70 per cent. of us live in areas classified as urban; so I am not in any way unusual.....

The Order of Kilimanjaro Award

The African Overseas Union organised the Order of Kilimanjaro Award in Honoring writer, Philosopher and Professor Chinua Achebe.

The National Cultural Liberation Movement
The Institution for Historical Research
The Indian in South Africa

The Position in Durban

The History of the Tamil Protective Association 1916-1984

The past sixty - nine years records the progress of our Society . We salute the pioneers for therefore sight and determination in establishing what we see today , namely,....

The History of the South African Hindu Maha Saba

FOR information about the early history of the South African Hindu Maha Sabha we have to rely on uncertain records and memories of many old people connected with this institution when it was established. The early Indian settlers in South Africa were mostly Hindus.

The Hindu heritage in South Africa

The end of the first hundred years of !he history of the Hindus in South Africa marks the beginnings of a greater awareness among them of the glorious cultural and religious heritage which belongs to them.

The Fact of African history: an introduction
The Cry of Reason AND Namibia on the Brink

Array

The Creation of South African Indian Identity in Natal in Relation to Hinduism

Perhaps one of the most pervasive ways in which Indians or people of Indian descent are identified is in terms of religion.

The Changing role of Indian women in South Africa

THE POSITION OF INDIAN WOMEN AT THE TIME OF THEIR ARRIVAL IN SOUTH AFRICA

THE CHANGING CONTEXT: NEW POLICIES AND PROCESSES IN THE SOUTH AFRICAN HERITAGE SECTOR
The Challenge of Nationalism
The brotherhood of Blackness

xtracts from a broadcast discussion held at the Transcription Centre, London, among a group of six Africans, West Indians and negro Americans.

The art of Susanne Wenger
The Art of Africa: an introduction
Ten One-Act Plays

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