On a meat tray there are two longer hind feet and two shorter forefeet of the goat F.18/23 as well as wristlet, "isiphandla". Madela has cut it from the skin on the forehead of the goat. With this wristlet Bhidli honoured later on the author.

The two ankle bones have been placed on the meat tray while Madela continues to work. His neck-band is from leopard skin. The Creator, Mvelinqangi, had told him to wear it. His necklaces are better seen on F19/20.

Bhidli has removed the upper meat tray and cuts the meat. On Bhidli's hips are his side tails,izinjong, seen.

Bhidli has put part of the meat on an enamel plate, to the left, and continues to cut the meat which is on the meat tray.

Portrait of Mbhekeni.(see the whole figure: F10/10.) Mbhekeni in Velabengasho's kraal. In his umqhele (head band) from leorpard skin are two crane feathers, one of them dyed red.

On the occasion of the wedding of his friend Mxoveni Khumalo, Mbhekeni Mbhekeni Mhlongo impresses the guests with a skin of a mamba snake he wears on his back. Thus he demonstrates that he is an inyanga (medicine man). In his armlet he wears an ostrich feather.

Mbhekeni Mhlongo in front of his father Bhidli's cattle kraal. Cf. the corresponding picture of Bhidli F.19/9. Here are seen, to the left, another pair of cattle horns, They are coloured blue, for no special reason.

In Laduma's kraal; from the goat killed in Bhidli's kraal, Mbhekeni and Bhidli brought the skin to Madela's kraal where they made an "ingubo yamadlozi" from it (they covering on the ancestor spirit), also called iminqwamba. It is the ceremonial cover of the chest of an isangoma.(Cf.

In the foreground of Mkhafuleni's cattle pen, a decaying tree (with anti-lightning medicine on it); a mill for producing samp from maize. In the centre a large garden belonging to a kraal from the Mhlongo clan, with sweet potatoes and bananas)