|Jazz epistle - 6||
Incident on a Highveld Farm.
|Jazz epistle-7. Cecil Taylor: motion and the fundamental soul||
Letters to the editor.
An article about the cancellation of music concerts due to South African Government race policies.
An article about the jazz pianist, Dollar Brand.
|The New African: Volume 4, Number 2, April 1965|
Jazz South Africa makes the big time jazz scene.
Jazz music and musicians.
The "freedom" jazz movement.
|The Duke's men||
Studies by a South African artist of the Duke Ellington concert tour of Britain.
Looking at the lack of development of jazz music in South Africa.
|"Not enough night"||
Negritude's evasive ethos.
|The meaning of the "Freedom now suite"||
One of America's jazz musicians who had long been strongly involved emotionally in the movements for integration in America and national autonomy in Africa was Max Roach.
|"We of Africa"||
Unlike Easterners who are given to meditation or Westerners who have an inquisitive turn of mind we of Africa, belonging neither to the East or to the West, are fundamentally observers, penetrating observers, relying more on intuition than on the process of reasoning.
|A new "thing" out of Africa||
Jazz in Africa
|Theoria: a journal of studies in the Arts, Humanities and Social Sciences No.5 1953|
|Chapter fifteen: Arts and entertainment|
|Chapter thirteen: Arts and entertainment|
|Chapter twelve: Arts and entertainment|
|Face to face with Bob Mabena|
|Yvonne Chaka Chaka: Princess of Africa|