ARTS
| Thumbnail | Title | Description |
|---|---|---|
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The New African: Volume 5, Number 3, April 1966 | |
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Beauford Delaney, or the paradox of light |
A review of the artist, Beauford Delaney. |
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The New African: Volume 5, Number 1, January 1966 | |
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The New African: Volume 5, Number 2, March 1966 | |
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The natural and the surreal in Africa |
Art on exhibition in the Commonwealth Festival. |
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The New African: Volume 4, Number 7, September 1965 | |
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Commonwealth Arts Festival 1965 |
An overview of African writing. |
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New roles for the dance |
It is completely out of line with African tradition to take dance which has served a social or religious function and place it on a modern stage as it stands or shortened. Modern theatre needs dance works specifically created for it. |
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Divinity |
A radio play. |
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The children of rape |
The first crop of African writers and artists of Portuguese language are, as much as Luandino Vieira's people of the Luanda slums, the product of the Portuguese colonial violation of Angola and Mozambique. |
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Chad frescoes |
Two hundred frescoes from Chad were exhibited at the Museum of Decorative Arts, Paris, early in 1965. |
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Two poems |
Advertisement by Ron Ayling and Last of the Proud Ones by Christine Ama Ata Aido |
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Reviews |
Review of "African Mud Sculpture" and "A dragon to kill". |
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The New African: Volume 3, Number 1, January 1964 | |
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The exuberant innocent |
A critical look at the artwork of Gladys Mgudlandlu. |
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Three African artists in Calcutta |
In October 1962, 76 pieces by three artists (Okeke, Salahi and Malangatana) were exhibited in Calcutta. |
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The New African: Volume 2, Number 8, September 1963 | |
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The influence of African art |
A note adapted from the catalogue to the Rhodesian Festival of African Art. |
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A release of energy |
Nigeria, the Arts and Mbari. |
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Ibrahim el Salahi |
Ibrahim el Salahi is a young Sudanese artist. |