Katesa Schlosser
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Shembe church young women 'Amakhosazana' dancing, Ekuphakameni, 1953 |
Shembe church young women "Amakhosazana" dancing, Ekuphakameni, 1959 |
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Shembe church young women 'Amakhosazana' dancing, Ekuphakameni, 1959 |
Shembe church young women 'Amakhosazana' dancing, Ekuphakameni, 1959 |
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Shembe church young women 'Inkosazana' dancing, Ekuphakameni, 1953 |
Shembe church member 'Inkosazana' dancing, Ekuphakameni, 1959 |
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Shembe Church, a kitchen or "ixhiba", eKuphakameni, 1953 |
Shembe church, a kitchen / "ixhiba", eKuphakameni, 1953 |
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Shembe church, women, ingudlungudlu, eKuphakameni, 1959 |
Shmebe church members, ingudlungudlu, eKuphameni, 1953 |
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Shembe man, eKuphakameni, 1959 |
Shembe man, eKuphakameni, 1959 |
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Shembe men carrying a pot, eKuphakameni, 1953 |
Shembe men carrying a pot, eKuphakameni, 1953 |
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Shember church member 'inhlalusuthi', Ekuphakameni, 1953 |
Shember church member 'inhlalusuthi', Ekuphakameni, 1953 |
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Shember church member 'inhlalusuthi', Ekuphakameni, 1953 |
Shembe church member reading the bible, Ekuphakameni, 1959 |
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Small girls with bead girdles, one with a frontal apron from beads, isigege, and a little boy. |
A young mother with a baby and four little girls. As a shawl of respect, isihlonipho, the woman wears a bandolier of beads. Three little girls wear girdles of loos hanging strings of beads, iziheshe. One girl has an oblong apron from beads, isigege. |
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Small girls with bead girdles, one with a frontal apron from beads, isigege, and a little boy. |
One more girl with isiheshe, another girl with isigege, and a little boy with small frontal apron from skin, ilibele, and a bandolier of beads. The picture was taken in the kraal of a murderer who was healed by Laduma Madela from his aggressiveness. |
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Small girls with bead girdles, one with a frontal apron from beads, isigege, and a little boy. |
Three more girls with iziheshe |
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Soap stone carving, Bantu Agricultural show, Hlabisa, 1959 |
Soap stone carving, Bantu agricultural show, Hlabisa, 1959. |
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Spazierstock, dessen knauf als geschlossene Hand gestaltet ist, Bantu Agricultural show in Nongoma, 1959 |
Spazierstock, dessen Knauf als geschlossene Hand gestaltet ist, u. a. mit zwei Buschbocken, einem affen und einem Zulu mit Vonder- und Hinterschrz und Kopfring. in Nongoma von Qwabes Toucher prasentiert. |
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Spazierstock, dessen knauf als geschlossene Hand gestaltet ist, Bantu Agricultural show in Nongoma, 1959 |
Spazierstock, dessen Knauf als geschlossens hand gestaltet ist, mit drei sich um den Stockschaft Windenden Schlangen. Bantu Agricultural show in Nongoma, Juni 1959 |
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Spazierstock, dessen knauf als geschlossene Hand gestaltet ist, Bantu Agricultural show in Nongoma, 1959 |
Spazierstock, dessen Knauf als geschlossene Hand gestaltet ist, mit sich um den Stockschaft windenden Schlangen. Bantu Agricultural show in Nongoma, Juni 1959 |
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Squatting boy |
As F.4/11 for comparison of the hight of the figures and a squatting boy besides them.
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Susa and Laduma Madela in front of Balungile's house |
Susa and Laduma Madela in front of Bafungile's house during a New year's visit of Susa to Laduma. Susa's peaked cap was made by Laduma. |
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Susa Madela |
When Laduma decided to honour me with a ''feather'', uphaphe, as the inflated gall bladder of a goat is called, Susa became obliged to praise the ancestors he bein Laduma's social father and nominally the kraal head, umnumzane. |
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Susa Madela |
In order to amuse K. Schlosser Susa showed his wry face-worthy of his name "King of the One-eyed people" |