PHOTOGRAPHS
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| Display of photographs and memorabilia in the Alan Paton Centre, looking towards the study |
Colour print 10 x 15cm |
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Letter from Gwen and Frank to Phyllis Naidoo |
Thank you very much for your letter received today. |
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Letter from Gwen and Frank to Phyllis Naidoo |
Thank you very much indeed for your lovely letter and the photographs of the Hassim family, which we shall treasure. |
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Letter from Cheick Oumar Sissoko to Phyllis Naidoo |
It is really nice of you to have replied my letter. I really enjoyed reading it. Thank you for it. The "Hopes on the Horizon" Project is doing well and hopefully by mid-1998 we should have the film out. I cannot wait dear Phyllis, to see you in the film , graceful and charming as ever. |
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Rights struggle to go under spotlight |
PACKAGING THE PAST: Preparing for an exhibition at Technikon Natal Art Gallery, aimed at honoring ordinary people who took part in the struggle for Human Rights, are (from left) artist Lukas van Vuuren, Mr Sunny Singh, Mrs Frances van Melsen, gallery curator Keith Hill and Mr Rogers Ragaven, assi |
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Letter from AD Donker to Bernth Lindfors | |
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Letters from Flora Nwapa to Bernth Lindfors | |
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Letter from J P Clark to Bernth Lindfors | |
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Letter from Alan Paton to Reg | |
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Letter from David Philip to Alan Paton | |
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Letter from Alan Paton to David Philip | |
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Letter from Alan Paton to Irita | |
| Eshowe residents picicing |
Eshowe residents picnicing |
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The New African: Volume 6, Number 1, March 1967 | |
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Kongi's harvest in tails |
Unique moments among disappointments at the Dakar Festival. |
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Document and imagination |
The novel, Africa's only totally imported literary form, has moved from flat bald statement to imaginative experiment. |
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Inkululeko means freedom |
The New African was banned in South Africa in June 1965. |
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Into 1966 |
Editorial about the outlook for the second half of the 'sixties in Africa. |
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The New African: Volume 4, Number 10, December 1965 | |
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New roles for the dance |
It is completely out of line with African tradition to take dance which has served a social or religious function and place it on a modern stage as it stands or shortened. Modern theatre needs dance works specifically created for it. |