Engraving
Thumbnail |
Title![]() |
Description |
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'A Pholey Town' |
Black and white scene of a small town in Moore. |
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'Arabs C Moors ou Camels' |
Black and white scene of Arabs riding Camels. |
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'Caffers at the Cape of Good Hope' |
Black and white scene of Caffers or Hottentots during a ceremony of admission to adulthood. |
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'Calmuc Tartar |
Black and white scene of human figures enjoying sunset. |
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'Caves of the Guanclies' |
Black and white scene of the Caves of Guanclies in the Isle of Teveriff. |
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'Coutumes moeur e- habille...' |
Engraved abstract of different scenes: human figures, animals and nature. |
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'Dance at the Mosque' |
Black and white engraving scene of Hottentots dancing at the Mosque. |
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'Dress of the female inhabitats' |
Black and white scene of European women showing off their couture. |
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'Inkle and Yarica: African hospitality to an English traveler'(A) |
Black and white scene of an African lady showing hospitality to an English traveler. |
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'Inkle and Yarica: African hospitality to an English traveler'(B) |
Black and white scene of an African young woman showing a way to an English traveler. |
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'Inkle and Yarica: African hospitality to an English traveler'(C) |
Black and white scene of White traveler and an African woman dancing. |
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'Labat: Ceremony' |
Black and white scene of a circumcision ceremony in Labat. |
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'Nagai Tartars' |
Black and white portrait of a King and his wives. |
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'Natural history of men' |
Black and white scenes of the history of men including the Hottentots and Africans. |
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'Oecoume des Hottentots ou Caffers' |
Black and white abstract of Hottentots involved in a fight. |
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'Sepulture din roi de Guinee' |
Black and white scene of a town with human figure in Guinee. |
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'Suplices de people de Guinee' |
Black and white scene of men fighting with another being slain. |
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'The Appeal of the Hottentots' |
Black and white engraved scene of the Hottentot man and woman during an appeal. |
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'The Hunter's death' |
Black and white scene of the hunter dying in a cave. |
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'The King of Congo' |
Black and white scene of the King of Congo addressing his subjects. |