A woman drinking in the same way as the man from F3/3. It is extremely unusual that the beer pot is not covered.

These tiny piece of the ox meat have to be put under the bride's sleeping mat in order that she might become superior above her husband.

In the foreground of Mkhafuleni's cattle pen, a decaying tree (with anti-lightning medicine on it); a mill for producing samp from maize. In the centre a large garden belonging to a kraal from the Mhlongo clan, with sweet potatoes and bananas)

Mkhafuleni with a frontal apron, isinene, from stripes of leopard skin and black calf skin, and with four bandoliers from glass beads. Cf. "Der einbeinige Gott", colour plate XIX)

The mother of Mxoveni, Velabengasho and Mkhafuleni Khumalo. Her name was Qhamkile ka Makhoba Khumalo. She was an isamgoma, a diviner. Her top knot is a wig. Her bandolier of respect, isikhafulo, is worked in crochet. Her skirt is from blackened neat's leather.

Mkhafuleni with his first wife. He wears a great dance crown from the winter-feathers of isakabula, the long tailed widow-bird, Diatrpus progne (Robert, no. 818)

Laduma Madela accompanied the bride's party and blew his horn in order to ask permission for the bride's party to enter the bridegroom's kraal for the wedding.

After the religious ceremony the bridegroom changed into traditional skin dress, partly, however supplied by perlon plush and plastic (bandoliers and head dress). In his head ornament a coloured crane feather.

Portrait of Thembani Alexina Dlamini Khumalo. Below the topkot she wears a band white beads with some coloured ornaments, umnqwazi, a token of respect she ows to her in-laws.